Darren died in his sleep at a Los Angeles hospital, his son Jim Moret told news outlets.

Moret told The Hollywood Reporter that Darren was supposed have had an aortic valve replacement but was too weak for the surgery. “I always thought he would pull through,” his son told the entertainment trade, “because he was so cool. He was always cool.”

In his long career, Darren acted, sang and built up a successful behind-the-scenes career as a television director, helming episodes of such well-known series as “Beverly Hills 90210” and “Melrose Place.” In the 1980s, he was Officer Jim Corrigan on the television cop show “T.J. Hooker.”

But to young movie fans of the late 1950s, he would be remembered best as Moondoggie, the dark-haired surfer boy in the smash 1959 release “Gidget.” Dee starred as the title character, a spunky Southern Californian who hits the beach and eventually falls in love with Moondoggie.

“I was in love with Sandra,” Darren later recalled. “I thought that she was absolutely perfect as Gidget. She had tremendous charm.”

The film was based on a novel that a California man, Frederick Kohner, had written about his own teenage daughter and helped spur interest in surfing — one that influenced pop music, slang and even fashion.

For Darren, his success with teen fans led to a recording contract, as it did with many young actors at the time, among them Tab Hunter and Annette Funicello. Two of Darren’s singles, “Goodbye Cruel World” and “Her Royal Majesty,” reached the Top 10 of the Billboard Hot 100 chart. (“Goodbye Cruel World” also appeared in Steven Spielberg’s 2022 semi-autobiographical film, “The Fabelmans.”) Other singles included “Gidget” and “Angel Face.”

Darren was the only “Gidget” cast member who appeared in both its sequels, 1961’s “Gidget Goes Hawaiian” and 1963’s “Gidget Goes to Rome.” Dee was replaced by Deborah Walley in the second film and Cindy Carol in the third. (“Gidget” later became a television show, launching the career of Sally Field. )

“They had me under contract; I was a prisoner,” Darren told Entertainment Weekly in 2004. “But with those lovely young ladies, it was the best prison I think I’ll ever be in.”

As a contract player at Columbia Studios, Darren appeared in grown-up films, too, including “The Brothers Rico,” “Operation Meatball” and “The Guns of Navarone.”

By the mid-’60s, when Darren appeared in “For Those Who Think Young” and “The Lively Set,” his big-screen acting career was almost over. He appeared in just a handful of movies after the 1960s ended, last appearing in 2017’s “Lucky,” directed by John Carroll Lynch.

But he remained active on television, appearing as a lead on the sci-fi show “The Time Tunnel” in the late 1960s, and doing guest spots and small recurring roles in TV shows such as “The Love Boat,” “Hawaii Five-O” and “Fantasy Island.”

Darren was a series regular for four seasons of the William Shatner-starrer “T.J. Hooker” in the 1980s. While appearing on the show, he noticed that no director was listed for an upcoming sequence and asked if he could try out for it.

“When it was shown, I got several offers to direct,” he told the New York Daily News. “Soon I was getting so many offers to direct, I kind of gave up acting and singing.”

For almost two years, Darren directed episodes of “Walker, Texas Ranger,” “Hunter,” “Melrose Place,” “Beverly Hills 90210” and other series. He returned to acting in the 1990s with small roles in “Melrose Place” and “Star Trek, Deep Space Nine.”

Darren was born James Ercolani in 1936 and grew up in South Philadelphia, not far from such fellow teen idols of the 1950s and ’60s as Fabian and Frankie Avalon. Singing came easy to him, and at 14 he was appearing in local nightclubs.

“From the age of 5 or 6 I knew I wanted to be an entertainer, or famous maybe,” he said in a 2003 interview with the News-Press of Fort Myers, Florida. He noted that such luminaries as Eddie Fisher and Al Martino had lived in the same area as he did, “a real neighborhood. It made you feel you could be successful, too.”

According to a 1958 Los Angeles Times profile, he got a break when he went to New York to get some pictures taken and the photographer’s office put him in touch with a talent scout.

He was soon signed by Columbia Pictures, and the newspaper said that after a few appearances, his fan mail at the studio was running “second only to Kim Novak’s. … The studio now feels that the young man is ready to hit the jackpot.”

Darren married his first wife, Gloria, in 1955 and together had Moret, an “Inside Edition” correspondent and former CNN anchorman. After a divorce he married Evy Norlund, who came to the U.S. as the Danish entry in the Miss Universe contest. They had two sons, Christian and Anthony.

He was also the godfather of Nancy Sinatra’s daughter A.J. Lambert. Sinatra, his “For Those Who Think Young” co-star, posted The Hollywood Reporter obituary on her X page, with a broken heart emoji.

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Bob Thomas, a longtime Associated Press journalist who died in 2014, was the principal writer of this obituary.

Corman died Thursday at his home in Santa Monica, California, according to a statement released Saturday by his wife and daughters.

“He was generous, open-hearted and kind to all those who knew him,” the statement said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.’”

Starting in 1955, Corman helped create hundreds of B-movies as a producer and director, among them “Black Scorpion,” “Bucket of Blood” and “Bloody Mama.” A remarkable judge of talent, he hired such aspiring filmmakers as Francis Ford Coppola, Ron Howard, James Cameron and Martin Scorsese. In 2009, Corman received an honorary Academy Award.

“There are many constraints connected with working on a low budget, but at the same time there are certain opportunities,” Corman said in a 2007 documentary about Val Lewton, the 1940s director of “Cat People” and other underground classics.

“You can gamble a little bit more. You can experiment. You have to find a more creative way to solve a problem or to present a concept,” he said.

The roots of Hollywood’s golden age in the 1970s can be found in Corman’s films.

Jack Nicholson made his film debut as the title character in a 1958 Corman quickie, “The Cry Baby Killer,” and stayed with the company for biker, horror and action films, writing and producing some of them. Other actors whose careers began in Corman movies included Robert De Niro, Bruce Dern and Ellen Burstyn.

Peter Fonda’s appearance in “The Wild Angels” was a precursor to his own landmark biker movie, “Easy Rider,” co-starring Nicholson and fellow Corman alumnus Dennis Hopper. “Boxcar Bertha,” starring Barbara Hershey and David Carradine, was an early film by Scorsese.

Corman’s B-movie directors were given minuscule budgets and often told to finish their films in as little as five days. When Howard, who would go on to win a best director Oscar for “A Beautiful Mind,” pleaded for an extra half day to reshoot a scene in 1977 for “Grand Theft Auto,” Corman told him, “Ron, you can come back if you want, but nobody else will be there.”

“Roger Corman was my very first boss, my lifetime mentor and my hero. Roger was one of the greatest visionaries in the history of cinema,” Gale Anne Hurd, whose notable producing credits include the “Terminator” film franchise, “The Abyss” and “The Walking Dead” television series, said in a post on X, formerly Twitter.

Initially only drive-ins and specialty theaters would book Corman films, but as teenagers began turning out, national chains gave in. Corman’s pictures were open for their time about sex and drugs, such as his 1967 release “The Trip,” an explicit story about LSD written by Nicholson and starring Fonda and Hopper.

Meanwhile, he discovered a lucrative sideline releasing prestige foreign films in the United States, among them Ingmar Bergman’s “Cries and Whispers,” Federico Fellini’s “Amarcord” and Volker Schlondorff’s “The Tin Drum.” The latter two won Oscars for best foreign language film.

Corman got his start as a messenger boy for Twentieth Century-Fox, eventually graduating to story analyst. After quitting the business briefly to study English literature for a term at Oxford University, he returned to Hollywood and launched his career as a movie producer and director.

Despite his penny-pinching ways, Corman retained good relations with his directors, boasting that he never fired one because “I wouldn’t want to inflict that humiliation.”

Some of his former underlings repaid his kindness years later. Coppola cast him in “The Godfather, Part II,” Jonathan Demme included him in “The Silence of the Lambs” and “Philadelphia” and Howard gave him a part in “Apollo 13.”

Most of Corman’s movies were quickly forgotten by all but die-hard fans. A rare exception was 1960’s “Little Shop of Horrors,” which starred a bloodthirsty plant that feasted on humans and featured Nicholson in a small but memorable role as a pain-loving dental patient. It inspired a long-lasting stage musical and a 1986 musical adaptation starring Steve Martin, Bill Murray and John Candy.

In 1963, Corman initiated a series of films based on the works of Edgar Allan Poe. The most notable was “The Raven,” which teamed Nicholson with veteran horror stars Boris Karloff, Peter Lorre and Basil Rathbone. Directed by Corman on a rare three-week schedule, the horror spoof won good reviews, a rarity for his films. Another Poe adaptation, “House of Usher,” was deemed worthy of preservation by the Library of Congress.

“It was my privilege to know him. He was a great friend. He shaped my childhood with science fiction movies and Edgar Allen Poe epics,” John Carpenter, director of “Halloween,” “The Thing” and other classic horror and action films, said on X. “I’ll miss you, Roger.”

Near the end of his life, Karloff starred in another Corman-backed effort, the 1968 thriller “Targets,” which marked Peter Bogdanovich’s directorial debut.

Corman’s success prompted offers from major studios, and he directed “The St. Valentine’s Day Massacre” and “Von Richthofen and Brown” on normal budgets. Both were disappointments, however, and he blamed their failure on front-office interference.

Roger William Corman was born in Detroit and raised in Beverly Hills, but “not in the affluent section,” he once said. He attended Stanford University, earning a degree in engineering, and arrived in Hollywood after three years in the Navy.

After his stint at Oxford, he worked as a television stagehand and literary agent before finding his life’s work.

In 1964 he married Julie Halloran, a UCLA graduate who also became a producer.

He is survived by his wife, Julie, and children Catherine, Roger, Brian and Mary.

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This obituary was written by the late Associated Press reporter Bob Thomas, who died in 2014.

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The story was first published on May 11, 2024. It was updated on May 13, 2024, to correct the middle name of producer Gale Anne Hurd.

LOS ANGELES (AP) — Barbara Rush, a popular leading actor in the 1950 and 1960s who co-starred with Frank Sinatra, Paul Newman and other top film performers and later had a thriving TV career, has died. She was 97.

Rush’s death was announced by her daughter, Fox News reporter Claudia Cowan, who posted on Instagram that her mother died on Easter Sunday. Additional details were not immediately available.

Cowan praised her mother as “among the last of ”Old Hollywood Royalty” and called herself her mother’s “biggest fan.”

Spotted in a play at the Pasadena Playhouse, Rush was given a contract at Paramount Studios in 1950 and made her film debut that same year with a small role in “The Goldbergs,” based on the radio and TV series of the same name.

She would leave Paramount soon after, however, going to work for Universal International and later 20th Century Fox.

“Paramount wasn’t geared for developing new talent,” she recalled in 1954. “Every time a good role came along, they tried to borrow Elizabeth Taylor.”

Rush went on to appear in a wide range of films. She starred opposite Rock Hudson in “Captain Lightfoot” and in Douglas Sirk’s acclaimed remake of “Magnificent Obsession,” Audie Murphy in “World in My Corner” and Richard Carlson in the 3-D science-fiction classic “It Came From Outer Space,” for which she received a Golden Globe for most promising newcomer.

Other film credits included the Nicholas Ray classic “Bigger Than Life”; “The Young Lions,” with Marlon Brando, Dean Martin and Montgomery Clift and “The Young Philadelphians” with Newman. She made two films with Sinatra, “Come Blow Your Horn” and the Rat Pack spoof “Robin and the Seven Hoods,” which also featured Martin and Sammy Davis Jr.

Rush, who had made TV guest appearances for years, recalled fully making the transition as she approached middle age.

“There used to be this terrible Sahara Desert between 40 and 60 when you went from ingenue to old lady,” she remarked in 1962. “You either didn’t work or you pretended you were 20.”

Instead, Rush took on roles in such series as “Peyton Place,” “All My Children,” “The New Dick Van Dyke Show” and “7th Heaven.”

“I’m one of those kinds of people who will perform the minute you open the refrigerator door and the light goes on,” she cracked in a 1997 interview.

Her first play was the road company version of “Forty Carats,” a comedy that had been a hit in New York. The director, Abe Burrows, helped her with comedic acting.

“It was very, very difficult for me to learn timing at first, especially the business of waiting for a laugh,” she remarked in 1970. But she learned, and the show lasted a year in Chicago and months more on the road.

She went on to appear in such tours as “Same Time, Next Year,” “Father’s Day,” “Steel Magnolias” and her solo show, “A Woman of Independent Means.”

Born in Denver, Rush spent her first 10 years on the move while her father, a mining company lawyer, was assigned from town to town. The family finally settled in Santa Barbara, California, where young Barbara played a mythical dryad in a school play and fell in love with acting.

Rush was married and divorced three times — to screen star Jeffrey Hunter, Hollywood publicity executive Warren Cowan and sculptor James Gruzalski.

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Bob Thomas, a longtime Associated Press journalist who died in 2014, was the principal writer of this obituary. AP National Writer Hillel Italie contributed to this report from New York.